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Marketa Lazarová (1967)
Although the Christianity of medieval Europe encroaches upon a primordial pagan world in Marketa Lazarová, František Vláčil does not grant moral authority to any single religion, but rather dissolves historical certainty into a fragmented, mythic haze.
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Predator: Killer of Killers (2025)
It takes more than brute strength to defeat a creature as viciously powerful as a Predator, and as Dan Trachtenberg studies history’s greatest warriors through Viking battles, samurai duels, and modern warfare, Killer of Killers honours the resilient heart of a people born to survive.
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The Music Room (1958)
Through the haunting elegance of The Music Room’s floating camerawork, Satyajit Ray settles an auspicious haze and stirring musical transcendence over the downfall of a proud noble, casting him within a mythic fable of envy, ego, and the Indian aristocracy’s self-inflicted ruin.
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Orphan (2025)
The tragedy of innocence persevering through historical turmoil underpins the vulnerable heart of Orphan, as through László Nemes’ intimate, subjective camerawork, one young boy grapples with the dissonance between an imagined father and reality in postwar Budapest.
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The 500 Best Films of All Time
The greatest films of all time, from the early days of silent cinema to 21st century masterpieces.
