The Best Films of the 2020s (so far)
The greatest films of the 2020s so far, from the growth of auteur television to boundary-pushing metamodernism.
The greatest films of the 2020s so far, from the growth of auteur television to boundary-pushing metamodernism.
Josh Safdie propels a dubious table tennis champion toward compromised glory, Paul Thomas Anderson sends a washed-up revolutionary on a high-stakes mission, and Bi Gan dissolves the boundary between art and reality into a bittersweet exchange.
So intricately woven are the layers of deception in The Handmaiden, the cons that masquerade as plot become part of its very structure, staging a seductive dance between cunning swindlers and discerning victims that Park Chan-wook choreographs with masterful precision.
Never has Park Chan-wook wielded his fatalistic irony with such a darkly comedic edge as he does in No Other Choice, sending one unemployed paper specialist on a murderous trail against rival job candidates, and sharply exposing the bureaucratic nihilism of modern capitalism.