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The Best Films of the 2020s (so far)
The greatest films of the 2020s so far, from the growth of auteur television to boundary-pushing metamodernism.
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The Invite (2026)
A simple dinner party serves as the canvas for Olivia Wilde’s viciously funny chamber piece in The Invite, mining the bitter verbal sparring between two mismatched couples, and gleefully tipping the evening into gloriously calculated dysfunction.
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The Odyssey (2026)
It takes a brave soul to adapt a story as monumental as The Odyssey, and in carving a veteran’s reckoning from its classical hero’s journey, Christopher Nolan composes a thoughtful, cinematic elegy for what war leaves behind in its homebound survivors.
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Fjord (2026)
Moral certainty is a privilege for the Norwegian community of Fjord, yet the arrival of a conservative Romanian family unsettles its most basic assumptions, as Cristian Mungiu turns his discomforting, realist lens to the frictions between cultural difference and institutional scrutiny.
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Fatherland (2026)
As writer Thomas Mann visits Germany to accept awards on both sides of the Iron Curtain in Fatherland, Paweł Pawlikowski traces his existential journey with a severe, monochrome ascetism, exposing the moral failure of cultural idealism when exposed to unresolved historical trauma.
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Parallel Tales (2026)
When Parallel Tales sees one writer’s work fall into the hands of its unwitting, real-life inspirations, Asghar Farhadi begins to blur the lines between observer and participant, unravelling a web of misconstrued identities shaped by the very act of interpretation.
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Eternity (2025)
Forced to decide whether she will spend her afterlife with her first husband who died young or her long-term second husband, Joan confronts a romantic dilemma of existential proportions, as Eternity guides her through a whimsical, post-mortem plane of bureaucratic order and commodified paradises.